{"id":15596,"date":"2020-04-11T19:17:31","date_gmt":"2020-04-11T17:17:31","guid":{"rendered":"https:\/\/www.liberovici.it\/en\/?page_id=15596"},"modified":"2025-07-10T20:35:11","modified_gmt":"2025-07-10T18:35:11","slug":"64-2","status":"publish","type":"page","link":"https:\/\/www.liberovici.it\/en\/portfolio\/music\/64-2\/","title":{"rendered":"64"},"content":{"rendered":"
[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text]Home<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder background_color=”#f4f4f4″ number_of_columns=”two_columns”][qode_elements_holder_item advanced_animations=”no”][vc_video link=”https:\/\/vimeo.com\/87928788″][\/qode_elements_holder_item][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”]\n

64<\/h2>\n[\/vc_column_text][vc_column_text el_class=”portfolio-text”]through the acoustic memory of the Living Theatre taken from an unpublished tape by John Cage<\/em><\/p>\n

by Andrea Liberovici<\/p>\n

interpreters
\nJudith Malina<\/em>
\nHanon Reznikov<\/em>
\nOttavia Fusco<\/em>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”2\/3″ el_class=”portfolio-box-left”][vc_column_text el_class=”portfolio-info”]Dove:<\/strong> Salle Olivier Messiaen – Maison de la Radio
\nPrima:<\/strong> 3 april 2000, Paris
\nProduzione:<\/strong> Groupe Recherches Musicales (Paris)-Institut National de l\u2019Audiovisuel (Paris)-La Muse En Circuit (Alfortville)[\/vc_column_text][vc_empty_space][vc_empty_space][vc_column_text el_class=”portfolio-info”]Andrea Liberovici.<\/strong><\/p>\n

As we all know, The Living Theatre has been the driving force behind theatrical innovation in the second half of the twentieth century, but it has also inspired the most brilliant composers of modern music, ranging from John Cage, who composed the incidental music for \u201cThe Marrying Maiden\u201c (1960) and who enjoyed a long-lasting friendship whit Julian Beck and Judith Malina, Morton Feldman, as well as Luigi Nono who nonetheless had a difficult relationship with the the company while working on \u201cA floresta \u00e9 jovem e cheja de vida\u201c in 1965-66.[\/vc_column_text][vc_empty_space]\n\n\t\n\t Read more...<\/span>\t<\/a>\n\n[vc_empty_space]\n\n\t\n\t Read: Jean-Baptiste Barri\u00e8re<\/span>\t<\/a>\n\n[vc_empty_space][vc_column_text el_class=”portfolio-info”]interpreters
\nJudith Malina
\nHanon Reznikov
\nOttavia Fusco<\/p>\n

images
\nFilippo Garrone
\nSerena Nono
\nSalis & Vitangeli[\/vc_column_text][vc_empty_space]\n\n\t\n\t Listen: Extract 64<\/span>\t<\/a>\n\n[vc_empty_space][vc_column_text][image_carousel source=”media: 15576,15581,15580,15579,15578,15577″ dots=”no”][\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/3″ el_class=”bordo-nero”][qode_elements_holder number_of_columns=”one_column” custom_class=”box-stampa”][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text]\u201c64 is born in Judith Malina\u2019s closet, striking resurrection of passed voice in electronic music: from Julian Beck to John Cage. The only external instruments are: composer\u2019s heartbeat and the \u201cGukuin\u201c, that is an ancient chinese harp.\u201d
\nLaura Putti<\/strong> \u201cLa Repubblica\u201d del 3\/4\/2000<\/em><\/p>\n

Andrea Liberovici rediscovered the original tape of John Cage’s music and worked on sampling the sounds from the Living Theater shows that began in 1947. The music of 64 is reproduced in the room by sophisticated sound spatialization equipment and by “live electronics\u201d applied in real time on the performers, to arrive at a performance that is created and brought together, exclusively starting from the actor’s body and the group’s acoustic memory. The amplification system is placed in view, on the stage and around the audience, visually filling the space, where Judith Malina, Hanon Reznikov and Ottavia Fusco, act free from interpretative constraints and solely in relation to the sound materials.
\nfrom tuttoteatro.com, 03.31.2001<\/em><\/p>\n

The work created by Andrea Liberovici presents itself as an oratory for actors – Judith Malina and Hanon Reznikov on stage accompanied by the singer Ottavia Fusco. “As always – explains the composer – I like to speak of acoustic scenography to define my work, consistently with the poetics of the Living Theater so that at the center of the scene are the sounds of the body, on a bare stage.”
\nFrom La Repubblica, 01.04.2001<\/em>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

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advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”] 64 [\/vc_column_text][vc_column_text el_class=”portfolio-text”]through the acoustic memory of the…<\/p>\n","protected":false},"author":1,"featured_media":15581,"parent":15395,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15596","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n64 » Andrea Liberovici EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.liberovici.it\/en\/portfolio\/music\/64-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"64 » Andrea Liberovici EN\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=”” row_type=”row” 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