{"id":15647,"date":"2020-04-11T20:40:38","date_gmt":"2020-04-11T18:40:38","guid":{"rendered":"https:\/\/www.liberovici.it\/en\/?page_id=15647"},"modified":"2025-07-10T20:35:12","modified_gmt":"2025-07-10T18:35:12","slug":"not-a-silence","status":"publish","type":"page","link":"https:\/\/www.liberovici.it\/en\/portfolio\/music\/not-a-silence\/","title":{"rendered":"NOT A SILENCE"},"content":{"rendered":"
[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text]Home<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder background_color=”#f4f4f4″ number_of_columns=”two_columns”][qode_elements_holder_item advanced_animations=”no”][vc_video link=”https:\/\/vimeo.com\/93062950″][\/qode_elements_holder_item][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”]\n

NON UN SILENZIO<\/h2>\n[\/vc_column_text][vc_column_text el_class=”portfolio-text”]from and for Giovanni<\/em>
\nfor alto solo, string orchestra, celesta<\/p>\n

by Andrea Liberovici<\/p>\n

Yuri Bashmet<\/em>, alto
\nand Moscow Soloists Chamber Orchestra<\/em><\/p>\n

conductor Roman Balashov<\/em>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”2\/3″ el_class=”portfolio-box-left”][vc_column_text el_class=”portfolio-info”]Opening:<\/strong> Teatro la Fenice Venezia
\nDuration:<\/strong> 15′
\nWhen:<\/strong>12 March 2014
\nProduction:<\/strong> Teatro la Fenice, Venice[\/vc_column_text][vc_empty_space][vc_empty_space][vc_column_text el_class=”portfolio-info”]Not A Silence<\/strong><\/p>\n

An indecipherable chord because it is difficult, clotted, and also because it comes from an in-strument with totally resonant sounds, from timbre to timbre, differently extinct, the sound disappears into the very air that had generated it. So there\u2019s nothing else, because it is right that in the representation of what remains, beyond the distance, and after its material loss there is only, and truly only, profound nothingness. Not a silence.<\/em>[\/vc_column_text][vc_empty_space]\n\n\t\n\t Read: synopsis<\/span>\t<\/a>\n\n[vc_empty_space][vc_column_text el_class=”portfolio-info”]NOT A SILENCE<\/strong>
\nfor alto, string orchestra and celesta
\nfrom and for Giovanni<\/p>\n

by Andrea Liberovici<\/p>\n

Yuri Bashmet and Moscow Soloist
\nconductor : Roman Balashov[\/vc_column_text][vc_empty_space]\n\n\t\n\t View: Russian plant<\/span>\t<\/a>\n\n[vc_empty_space][vc_column_text][image_carousel source=”media: 15461,15459,15654,15655″ limit=”20″ slides_style=”default” controls_style=”light” crop=”4:3″ columns=”1″ adaptive=”no” spacing=”no” align=”none” max_width=”none” captions=”no” arrows=”yes” dots=”no” link=”none” target=”blank” autoplay=”5″ speed=”medium” image_size=”large” outline=”no”][\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/3″ el_class=”bordo-nero”][qode_elements_holder number_of_columns=”one_column” custom_class=”box-stampa”][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text]Yuri Bashmet and his Soloists at La Fenice
\n\u201cLiberovici\u2019s work is a sort of metaphysics of silence or, better yet, the imperceptible vibration that might laically be identified with the concept of soul, but al-so with the sound of the unknown universe, inau-dible and elusive. In this piece, Yuri Bashmet\u2019s viola stood out for its musical sensitivity, beautifully bac-ked by the other instruments in an interplay of cre-scendos and silences, drawn-out chords and tren-chant sonorities, the icy notes of the celesta and short, sharp bowing, expressing what only music can evoke. To do this, the young composer started affectionately with letters, corresponding to three notes, which compose the name and surname of his unforgettable mentor: G, A, E. A rousing round of applause.\u201d
\nRoberto Campanella,<\/strong> GBOPERA Magazine<\/em><\/p>\n

Liberovici at La Fenice with Bashmet
\n\u201cNon un silenzio is a work that is broad in scope, in which composition in panels is organized according to a specific structural idea. Bashmet\u2019s prodigious viola speaks in fragments, with enthralling soloist drama accompanied by the ripieno strings. The epi-logue closes in silence, with the notes of a farewell punctuated by the plaintive sighs of the celesta, pe-rhaps an allusion to the \u2018profound nothingness\u2019 cited by the late musicologist Giovanni Morelli, who died nearly three years ago.\u201d
\nMario Messinis,<\/strong> Il Gazzettino<\/em><\/p>\n

The threshold of silence. Bashmet and Liberovici
\n\u201cYuri Bashmet has the ability to suspend time, to li-sten to the finest sonorous structures and carve through silence, bringing with him the brea-thlessness of those who have followed him, enraptured.\u2026 The tripartite form of Liberovici\u2019s Non un silenzio conceals a quite varied composition with one instrument per part which, through the skilled use of colours, brings out the stratified concurrences of reality. Sounds are captured as they emerge from the icy surfaces of the bowed strings, taken up by the astral touches of the celesta evoking absence.
\nLetizia Michielon,<\/strong> Il Giornale della Musica<\/em><\/p>\n

Yuri Bashmet at La Fenice
\nAfter Sviridov, Shostakovich and Stravinsky, Andrea Liberovici\u2019s Non un silenzio for viola, bowed string orchestra and celesta is one of the gems of this year\u2019s concert programme.
\nAlberto Massarotto<\/strong>, VeneziaMusica<\/em><\/p>\n

Bashmet\u2019s viola is seductive; Liberovici dedicates his work to Morelli
\n\u201cBashmet lets others direct so he can shoulder his viola, which plays a key role in this work. This piece is filled with emotional allusions. The score is com-posed of drawn-out sounds, rapid crescendos, long silences of most of the musicians, the pleading of the viola that \u2013 alone \u2013 attempts any discourse, while any other intervention immediately falls to the wayside. The short strokes of the celesta resound in the emptiness. This is a reflection on the impossible silence of the cosmos, on the vibrations emanated by every living being.\u201d
\nMassimo Contiero<\/strong>, La Repubblica<\/em>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

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advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”] NON UN SILENZIO [\/vc_column_text][vc_column_text el_class=”portfolio-text”]from and for Giovanni…<\/p>\n","protected":false},"author":1,"featured_media":15655,"parent":15395,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15647","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nNOT A SILENCE » Andrea Liberovici EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.liberovici.it\/en\/portfolio\/music\/not-a-silence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NOT A SILENCE » Andrea Liberovici EN\" \/>\n<meta property=\"og:description\" content=\"[vc_row 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item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”] NON UN SILENZIO [\/vc_column_text][vc_column_text el_class=”portfolio-text”]from and for Giovanni...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.liberovici.it\/en\/portfolio\/music\/not-a-silence\/\" \/>\n<meta property=\"og:site_name\" content=\"Andrea Liberovici EN\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/andrealiberovici\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-10T18:35:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/4.png\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"477\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta 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Liberovici","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg","url":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg","contentUrl":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg","width":500,"height":307,"caption":"Andrea Liberovici"},"logo":{"@id":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg"},"description":"\u201cIl primo amore, del tutto platonico, aveva una voce acutissima che non so per quale ragione mi dava molto fastidio. Nel giro di poco ho capito che, almeno per me, l'amore pu\u00f2 esser cieco... ma non sordo. Forse \u00e8 anche per questo che ho cominciato a fare musica fin da piccolissimo.\u201c Andrea Liberovici (1962) ha studiato al Conservatorio di Venezia e alla Scuola di Recitazione di Genova. Nel 1996 fonda con Edoardo Sanguineti il Teatro del Suono intendendo la disciplina teatrale un ottimo \u201cmetodo\u201c per approfondire la composizione. \"Il teatro, al contrario di tutte le altre discipline artistiche, ti costringe a pensare all'altro. Al \u201cperch\u00e9 e al per chi\u201c scrivi, liberandoti di conseguenza dalle gabbie degli stili: anche perch\u00e9, se non c'\u00e8 nulla da dire, nessuno stile ci salver\u00e0.\u201c","sameAs":["https:\/\/www.liberovici.it\/","https:\/\/www.facebook.com\/andrealiberovici\/","https:\/\/www.instagram.com\/andrealiberovici\/?hl=it","https:\/\/www.youtube.com\/channel\/UCRbS5fSlIzWIqg49b5DTbkA","https:\/\/soundcloud.com\/andrealiberovici"]}]}},"_links":{"self":[{"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/pages\/15647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/comments?post=15647"}],"version-history":[{"count":7,"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/pages\/15647\/revisions"}],"predecessor-version":[{"id":16036,"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/pages\/15647\/revisions\/16036"}],"up":[{"embeddable":true,"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/pages\/15395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/media\/15655"}],"wp:attachment":[{"href":"https:\/\/www.liberovici.it\/en\/wp-json\/wp\/v2\/media?parent=15647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}