{"id":15704,"date":"2020-04-11T21:22:38","date_gmt":"2020-04-11T19:22:38","guid":{"rendered":"https:\/\/www.liberovici.it\/en\/?page_id=15704"},"modified":"2025-07-10T20:35:13","modified_gmt":"2025-07-10T18:35:13","slug":"rap","status":"publish","type":"page","link":"https:\/\/www.liberovici.it\/en\/portfolio\/music-theatre\/rap\/","title":{"rendered":"RAP"},"content":{"rendered":"
[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text]Home<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder background_color=”#f4f4f4″ number_of_columns=”two_columns”][qode_elements_holder_item advanced_animations=”no”][qode_content_slider auto_rotate=”0″ enable_drag=”yes” direction_nav=”yes” control_nav=”no” control_nav_justify=”yes”][qode_content_slider_item][vc_video link=”https:\/\/vimeo.com\/87928212″][\/qode_content_slider_item][\/qode_content_slider][\/qode_elements_holder_item][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”]\n

RAP<\/h2>\n[\/vc_column_text][vc_column_text el_class=”portfolio-text”]by<\/em> Edoardo Sanguineti
\nmusic and direction<\/em> Andrea Liberovici<\/p>\n

interpreters
\nOttavia Fusco<\/em>
\nAndrea Liberovici<\/em><\/p>\n

voiceover
\nEnrico Ghezzi[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”2\/3″ el_class=”portfolio-box-left”][vc_column_text el_class=”portfolio-info”]Where:<\/strong> Teatro della Tosse – Sala Agor\u00e0, Genova
\nDuration:<\/strong> 1h.
\nWhen:<\/strong> 1 April 1996
\nProduction:<\/strong> Consulta per il Teatro da Camera[\/vc_column_text][vc_empty_space][vc_empty_space][vc_column_text el_class=”portfolio-info”]RAP<\/strong>
\nby Edoardo Sanguineti<\/strong><\/p>\n

The origins, for Rap can be found both in Edoardo Sanguineti\u2019s active curiosity for music and in Andrea Liberovici\u2019s availability to the differences in contemporary music. The opportunities in Rap, that is in itself never in rap form, lies in precisely in the poetic and musical structure of afro-american rap. (\u2026)[\/vc_column_text][vc_empty_space]\n\n\t\n\t Read more...<\/span>\t<\/a>\n\n[vc_empty_space][vc_column_text el_class=”portfolio-info”]music and direction
\nAndrea Liberovici<\/p>\n

interpreters
\nOttavia Fusco
\nAndrea Liberovici<\/p>\n

voiceover
\nEnrico Ghezzi<\/p>\n

scenic elements
\nEva Pollio<\/p>\n

costumes
\nFrancesca Faiella<\/p>\n

lights and audio
\nGiorgio Neri<\/p>\n

recorded voices and instruments<\/p>\n

soprano
\nAntonella Cesario<\/p>\n

violoncello
\nMarco Martina<\/p>\n

alto, cello, electric bass, computer programming
\nAndrea Liberovici<\/p>\n

voices
\nFrancy Pope, Luca Valerio, Carlo Sala[\/vc_column_text][vc_empty_space][vc_column_text][image_carousel source=”media: 15706,15707,15708,15709″ limit=”20″ slides_style=”default” controls_style=”light” crop=”4:3″ columns=”1″ adaptive=”no” spacing=”no” align=”none” max_width=”none” captions=”no” arrows=”yes” dots=”no” link=”none” target=”blank” autoplay=”5″ speed=”medium” image_size=”large” outline=”no”][\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/3″ el_class=”bordo-nero”][qode_elements_holder number_of_columns=”one_column” custom_class=”box-stampa”][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text]\u201cIt is an original and involving project, that\u2019s impossible to tell but that\u2019s necessary see, a successful bridal between your music and poetry.\u201d
\nBarbara Gizzi,<\/strong>
\n\u201cIl Tempo\u201d, 22\/11\/96<\/em><\/p>\n

\u201cWell, Rap becomes musical dramaturgy\u2026\u201d
\nRodolfo di Giammarco
\n<\/strong>La repubblica – 16-nov.-1996<\/em><\/p>\n

\u201cScenography is raw, with wire netting to recall strong and urban reality and there are also plays of light to give to the images of a dream a rhythm almost of a videoclip.\u201c
\nClaudia Provvedini
\n<\/strong>\u201cCorriere delle Sera\u201d, 15\/11\/96<\/em>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

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