{"id":15765,"date":"2020-04-11T22:10:34","date_gmt":"2020-04-11T20:10:34","guid":{"rendered":"https:\/\/www.liberovici.it\/en\/?page_id=15765"},"modified":"2025-07-10T20:35:13","modified_gmt":"2025-07-10T18:35:13","slug":"trilogy-in-two","status":"publish","type":"page","link":"https:\/\/www.liberovici.it\/en\/portfolio\/music-theatre\/trilogy-in-two\/","title":{"rendered":"Trilogy in two"},"content":{"rendered":"
[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text]Home<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder background_color=”#f4f4f4″ number_of_columns=”two_columns”][qode_elements_holder_item advanced_animations=”no”][vc_video link=”https:\/\/vimeo.com\/371145953″][\/qode_elements_holder_item][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”]\n

TRILOGY IN TWO<\/h2>\n[\/vc_column_text][vc_column_text el_class=”portfolio-text”]a mosaic Opera<\/em>
\nmusic, libretto, video, direction<\/em> \u00a0Andrea Liberovici<\/p>\n

with
\nHelga Davis<\/em>
\nand
\nthe Schallfeld Ensemble<\/em>
\nSara Caneva<\/em> musical direction<\/p>\n

narrator in the dark (recorded) Robert Wilson[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”2\/3″ el_class=”portfolio-box-left”][vc_column_text el_class=”portfolio-info”]Where:<\/strong> Teatro Cavallerizza Reggio Emilia, Festival Aperto
\nWhen:<\/strong> 19 October 2019 (opening)
\nDuration:<\/strong> 1h 30′
\nProduction:<\/strong> a co-production by Teatro Nazionale di Genova and Fondazione I Teatri \/ Festival Aperto, Reggio Emilia with Schallfeld Ensemble, Graz[\/vc_column_text][vc_empty_space][vc_empty_space][vc_column_text el_class=”portfolio-info”]A mosaic opera<\/strong><\/p>\n

Trilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts, as the title is alluding to. Andrea Liberovici’s dramaturgical work has always been focused on the fragment, but a fragment which is part of an overall design that, as in a mosaic, piece by piece, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost, largely in crisis) of Europe through three models of beauty.[\/vc_column_text][vc_empty_space]\n\n\t\n\t Read: synopsis<\/span>\t<\/a>\n\n[vc_empty_space][vc_column_text el_class=”portfolio-info”]TRILOGY IN TWO
\na mosaic Opera
\nmusic, libretto, video, direction \u00a0Andrea Liberovici<\/p>\n

the Schallfeld Ensemble
\nLorenzo Derinni \/ Jacob Hernandez, violin
\nFrancesca Piccioni \/ Paolo Fumagalli, viola
\nMyriam Garcia, cello
\nChiara Percivati, clarinet and bass clarinet
\nMargarethe Maierhofer Loschka, double bass
\nManuel Arcaraz, percussions
\nSpela Mastnak, percussions<\/p>\n

musical direction
\nSara Caneva<\/p>\n

narrator in the dark (recorded) Robert Wilson
\nghost-writer Ennio Ranaboldo<\/p>\n

light design Davide Riccardi
\nsound design Lorenzo Patellani
\nstage manager Fabrizio De Sanctis
\nassistant director Irene Novello[\/vc_column_text][vc_empty_space][vc_column_text]\"\"[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/3″ el_class=”bordo-nero”][qode_elements_holder number_of_columns=”one_column” custom_class=”box-stampa”][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text]\u201cA mosaic of beauty\u201c
\nErica Manna – La Repubblica<\/strong><\/p>\n

\u201cThe music is also changing\u2026Wonderful Schallfeld Ensemble directed by Sara Caneva.\u201c
\nGuido Festinese – il Manifesto<\/strong><\/p>\n

\u201cLiberovici, who speaks about the present with a sincere and never banal depth.\u201c
\nAlessandro Rigolli – Il Giornale della Musica<\/strong><\/p>\n

\u201cTrilogy in Two, a true dramaturgy of sound, is a modern opera.\u201c
\nDolores Pesce – dramma.it<\/strong>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder background_color=”#f4f4f4″ number_of_columns=”two_columns”][qode_elements_holder_item advanced_animations=”no”][vc_video link=”https:\/\/vimeo.com\/371145953″][\/qode_elements_holder_item][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”] TRILOGY IN TWO [\/vc_column_text][vc_column_text el_class=”portfolio-text”]a mosaic Opera music,…<\/p>\n","protected":false},"author":1,"featured_media":15770,"parent":15393,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15765","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nTrilogy in two » Andrea Liberovici EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.liberovici.it\/en\/portfolio\/music-theatre\/trilogy-in-two\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trilogy in two » Andrea Liberovici EN\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder background_color=”#f4f4f4″ number_of_columns=”two_columns”][qode_elements_holder_item advanced_animations=”no”][vc_video link=”https:\/\/vimeo.com\/371145953″][\/qode_elements_holder_item][qode_elements_holder_item vertical_alignment=”middle” 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