{"id":16106,"date":"2020-05-15T23:08:50","date_gmt":"2020-05-15T21:08:50","guid":{"rendered":"https:\/\/www.liberovici.it\/en\/?page_id=16106"},"modified":"2025-07-10T20:35:13","modified_gmt":"2025-07-10T18:35:13","slug":"excerpts","status":"publish","type":"page","link":"https:\/\/www.liberovici.it\/en\/portfolio\/music-theatre\/macbeth-remix-1998\/excerpts\/","title":{"rendered":"Excerpts"},"content":{"rendered":"
[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text]Home<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_column_text]Expanding the horizon of languages \u200b\u200bto its limit, pointing to frictions and shocks, speculating over couplings of forms and tones that are absolutely not judicious, is, for me, an ancient practice, and an exact poetic project. The theater, which is, par excellence, a \u201cform of disguise\u201d seems to me to invoke such manipulations, aiming at a full inventive disruption, if anarchically well tempered. And this applies to the word, the sound, the image, the gesture. After all, you know, Shakespeare teaches.<\/p>\n

Edoardo Sanguineti
\nFestival di Spoleto 1998<\/p>\n