{"id":16221,"date":"2023-10-19T10:34:35","date_gmt":"2023-10-19T08:34:35","guid":{"rendered":"https:\/\/www.liberovici.it\/en\/?page_id=16221"},"modified":"2025-07-10T20:35:13","modified_gmt":"2025-07-10T18:35:13","slug":"pop-detox","status":"publish","type":"page","link":"https:\/\/www.liberovici.it\/en\/portfolio\/music-theatre\/pop-detox\/","title":{"rendered":"POP DETOX"},"content":{"rendered":"
[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”right” background_image_as_pattern=”without_pattern” z_index=”” el_class=”breadcrumb”][vc_column][vc_column_text]Home<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder background_color=”#f4f4f4″ number_of_columns=”two_columns”][qode_elements_holder_item advanced_animations=”no”][vc_single_image image=”16223″ img_size=”full” qode_css_animation=””][\/qode_elements_holder_item][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”]\n

POP DETOX<\/h2>\n[\/vc_column_text][vc_column_text el_class=”portfolio-text”]Music, text and watercolors
\nby Andrea Liberovici
\nVideo
\nGianluca Abbate<\/p>\n

(work in progress)<\/em>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”2\/3″ el_class=”portfolio-box-left”][vc_column_text el_class=”portfolio-info”]Dove:<\/strong> Italian Academy \u2013 New York
\nDurata:<\/strong> 28 minuti
\nQuando:<\/strong> 20 Aprile 2023 (prima)[\/vc_column_text][vc_empty_space]Video: POP DETOX<\/a>[vc_empty_space][vc_column_text el_class=”portfolio-info”]lyrics for the actress
\nPOP_DETOX_ N\u00b01<\/strong><\/p>\n

it is an achene
\nglobular \u2014 flattened
\nto pericard
\nleathery
\nof brown colour
\nshiny on the outside
\nhairy inside
\nAlone
\nor with one or two other chestnuts
\narmed with long, dense quills.
\n\u2026.
\nWhen I was little
\nI held those quills in my left hand
\nuntil I bled
\nI wanted to steal the red color
\nOf my mom’s nail polish
\n\u2026.
\nAt the time, all doors were open
\nNow all doors are closed
\nThey call it lockdown<\/p>\n

b.<\/p>\n

The twins Hansel and Gretel
\nlive upstairs
\npissed-off teenagers
\n(rightly so)
\nAbout their ridiculous nicknames
\nHe scratches the door
\nBut he doesn’t open it
\nHe scratches the door
\nIn order not to scratch himself
\n\u2026.<\/p>\n

Do you feel it? Do you hear the sound of his feet?
\nit is Gretel dragging her feet across the floor
\nDancing with her headphones
\nShe prepares for the ritual
\nwhich unites them
\nLook out the window
\nAny hypothesis at all
\nOf the infinite<\/p>\n

POP_DETOX_ N\u00b03<\/strong><\/p>\n

When I was a child<\/p>\n

1-
\nI didn’t like the lampshade
\nIt looked like a hat
\nAnd so I ran
\nEveryone had a hat<\/p>\n

2-
\nI liked the wallpaper
\nI wanted to become wallpaper
\nAnd so I ran
\nEveryone had wallpaper<\/p>\n

3-
\nI didn’t like sofas
\nthe stale smell of bodies
\nAnd so I ran
\nEveryone had sofas and bodies<\/p>\n

4-
\nI didn’t like biting into food
\nExcept for marshmallows
\nAnd so I ran
\nEveryone was biting into marshmallows<\/p>\n

5-
\nI liked the photos hung on the wall
\nBecause I talked to them, but they stayed silent
\nAnd so I ran
\nEveryone had photos that were silent<\/p>\n

6-
\nI liked drumming on the radiators
\nWith the head of my plastic doll
\nAnd so I ran
\nEveryone had a plastic doll<\/p>\n

7-
\nI had nothing but the shadow of love,
\nthe shadow of those who undressed in the bathroom
\nAnd so I ran
\neveryone undressed in the bathroom<\/p>\n

8-
\nI liked poppies
\nBecause I was the only one who saw them
\nAnd so I ran
\nAnd everyone didn’t see me<\/p>\n

POP_DETOX_ N\u00b05<\/strong><\/p>\n

1)<\/p>\n

Curry (looking up)
\nIs everything OK?
\nDid you wake up?
\n(break)
\nHow long did you sleep?
\nA week or two??
\nWhen I smell that curry spice smell, it means you’re fine<\/p>\n

2)
\n(After banging the chestnut 3 times)
\nI am very touched when you knock three times
\nIs that still the same chestnut that I gave your wife?<\/p>\n

3)
\nCurry never answers
\nHe is an elderly Marxist aristocrat who cooks only curry dishes
\nHe lives upstairs
\nNext door to the twins<\/p>\n

He has run out of money
\nand he hardly speaks anymore
\nHe insists that reification
\nHe turned him to stone<\/p>\n

what does that even mean? I don’t know<\/p>\n

A few years ago he shook my hand and gave me a weird note:<\/p>\n

I want to detox from induced imagery
\n(He wrote)
\nTo rediscover my personal imagery
\nAnd rebuild everything, starting with silence
\nThe silence of the eyes
\nOf your new generation
\nYour suspended generation
\n(break)
\nCurry,
\nI never told you:
\nI’m not suspended AT ALL:
\nI’m pissed off<\/p>\n

POP_DETOX_ N\u00b07<\/strong><\/p>\n

1-I\u2019m not device
\n2-I\u2019m not ink
\n3-i\u2019m not lover
\n4-I\u2019m not stone
\n5-I\u2019m not metaphor
\n6-I\u2019m not trace
\n7-I\u2019m not gesture
\n8-i\u2019m not hombre
\n9-I\u2019m not iris
\n10-I\u2019m not armpit<\/p>\n

11-I\u2019m not symptom
\n12-I\u2019m not sound
\n13-I\u2019m not fog
\n14-I\u2019m not lgbtq+
\n15-I\u2019m not digital
\n16-I\u2019m not sage
\n17-I\u2019m not book
\n18-I\u2019m not private
\n19-I\u2019m not smartphone
\n20-I\u2019m not scab<\/p>\n

21-I\u2019m not pop
\n22-I\u2019m not dog
\n23-I\u2019m not ketchup
\n24-I\u2019m not link
\n25-I\u2019m not multiple
\n26-I\u2019m not moon
\n27-I\u2019m not not storm
\n28-I\u2019m not ash
\n29-I\u2019m not bergamot
\n30-I\u2019m not door<\/p>\n

31-I\u2019m not time
\n32-I\u2019m not eros
\n33-I\u2019m not water
\n34-I\u2019m not beautiful
\n35-I\u2019m not sad lady of the lowlands
\n36-i\u2019m not cut
\n37-i\u2019m not body<\/p>\n

38-I\u2019m not powerful
\n39-i\u2019m not broken
\n40-I\u2019m not definition<\/p>\n

but they are much more
\nI\u2019am human[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/3″ el_class=”bordo-nero” offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][qode_elements_holder number_of_columns=”one_column” custom_class=”box-stampa”][qode_elements_holder_item vertical_alignment=”middle” advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text]Avventure su avventure, canzoni su canzoni, rime esilaranti: la faccenda si sviluppa sugli schemi di un\u2019epica contemporanea, cio\u00e8 di una soap. Aldo Nove \u00e8 preciso in tre direzioni: nella critica del tempo in cui gli \u00e8 toccato vivere; nel rimpianto sfacciato dell\u2019infanzia, sua e del mondo; nel disegno di una genealogia, da Voltaire in poi, di scrittori smarriti nel tracciare il confine che separa, in ciascuno, l\u2019ingenuit\u00e0 e la stupidit\u00e0.
\ndi FRANCO CORDELLI<\/strong>
\nda Il Corriere della Sera, 09.06.2004<\/em><\/p>\n

Accuratamente rivoluzionario il testo si articola in due tempi: recitati e cantati da quattro attori e cinque musicisti presenti in scena nonch\u00e8 da proiezioni recitate e cantate tra le quali troneggia un ineffabile Gianfranco Funari che appare solo in immagine televisiva e presentare la cultura contemporanea: l\u2019immagine esenplare per un giovane che voglia raggiungere il mondo migliore che c\u2019\u00e8 oggi a disposizione. Uso sapiente del mezzo musicale, testo spericolato e affascinante, acrobazie canore, tutti circondati dalle proiezioni e dai fantastici effettivi di luce concepiti da Sandro Sussi.
\ndi ALVISE SAPORI<\/strong>
\nda La Repubblica, 07.06.2004<\/em><\/p>\n

L\u2019operazione \u00e8 divertente. Ricca di sperimentazioni linguistiche e di tentativi drammaturgici. Intanto con la dizione \u201csoap opera\u201d Liberovici e Noce hanno inteso indicare la quantit\u00e0 di diversi segmenti narrativi che vi confluiscono come in un contenitore. Poi, musical. E qui si \u00e8 inteso rifarsi tanto alla tradizione statunitense del sentimento cantato quanto alla tradizione mitteleuropea delle \u201csong\u201d che induce a riflettere. Il quartetto degli interpreti \u00e8 straordinario.
\ndi MAURO MANCIOTTI<\/strong>
\nda La Repubblica, 20.05.2004<\/em><\/p>\n

Il nostro Candido – spiega il regista – utilizza una scrittura in rima che va a sfociare direttamente nella musica, ponte tra i due linguaggi. Credo che da questo gioco di riflessi – il freddo e ironico \u201cilluminismo\u201d nel caldo della scena e il divampare delle passioni nel \u201cfreddo\u201d dello schermo – venga fuori un ritratto molto verosimile del nostro vivere presente.
\nda La Repubblica, 20.11.2004<\/strong><\/p>\n

Colpi di genio e lampi di trash. Se ogni epoca ha la favola filosofica che si merita, questo ribaldo \u201cSoap Musical\u201d di Liberovici e Noce calza sul nostro presente cos\u00ec come l\u2019ironia di Voltaire rappresentava la cattiva coscienza dell\u2019Illuminismo. In un gioco che mette a confronto personaggi in carne e sangue con creature virtuali ed effetti speciali, lo sconfinamento \u00e8 involucro estetico che diventa sostanza e filo conduttore. Ivan Castiglione regala a Candido le note di una disarmante innocenza a tutto tondo. Fabrizio Matteini, Cacambo, si conferma uno degli elementi di punta tra le nuove leve dello Stabile. Caterina Guzzanti mette tutta la sua esperienza comica a frutto del suo battesimo teatrale, e non stona mai.
\ndi SILVANA ZANOVELLO<\/strong>
\nda Il Secolo XIX, 20.05.2004<\/em>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][vc_empty_space][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

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advanced_animations=”no” item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”] POP DETOX [\/vc_column_text][vc_column_text el_class=”portfolio-text”]Music, text and…<\/p>\n","protected":false},"author":1,"featured_media":16223,"parent":15393,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-16221","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPOP DETOX » Andrea Liberovici EN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.liberovici.it\/en\/portfolio\/music-theatre\/pop-detox\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POP DETOX » Andrea Liberovici EN\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=”” 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item_padding=”2em 2em 2em 2em”][vc_column_text el_class=”portfolio-title”] POP DETOX [\/vc_column_text][vc_column_text el_class=”portfolio-text”]Music, text and...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.liberovici.it\/en\/portfolio\/music-theatre\/pop-detox\/\" \/>\n<meta property=\"og:site_name\" content=\"Andrea Liberovici EN\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/andrealiberovici\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-10T18:35:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2023\/10\/pop-detox.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1222\" \/>\n\t<meta property=\"og:image:height\" content=\"917\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta 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Nel giro di poco ho capito che, almeno per me, l'amore pu\u00f2 esser cieco... ma non sordo. Forse \u00e8 anche per questo che ho cominciato a fare musica fin da piccolissimo.\u201c Andrea Liberovici (1962) ha studiato al Conservatorio di Venezia e alla Scuola di Recitazione di Genova. Nel 1996 fonda con Edoardo Sanguineti il Teatro del Suono intendendo la disciplina teatrale un ottimo \u201cmetodo\u201c per approfondire la composizione. \\\"Il teatro, al contrario di tutte le altre discipline artistiche, ti costringe a pensare all'altro. 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Liberovici","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg","url":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg","contentUrl":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg","width":500,"height":307,"caption":"Andrea Liberovici"},"logo":{"@id":"https:\/\/www.liberovici.it\/en\/wp-content\/uploads\/sites\/2\/2020\/04\/andrea-liberovici-about.jpg"},"description":"\u201cIl primo amore, del tutto platonico, aveva una voce acutissima che non so per quale ragione mi dava molto fastidio. Nel giro di poco ho capito che, almeno per me, l'amore pu\u00f2 esser cieco... ma non sordo. Forse \u00e8 anche per questo che ho cominciato a fare musica fin da piccolissimo.\u201c Andrea Liberovici (1962) ha studiato al Conservatorio di Venezia e alla Scuola di Recitazione di Genova. Nel 1996 fonda con Edoardo Sanguineti il Teatro del Suono intendendo la disciplina teatrale un ottimo \u201cmetodo\u201c per approfondire la composizione. \"Il teatro, al contrario di tutte le altre discipline artistiche, ti costringe a pensare all'altro. 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